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Goose | November 3–4, 2026 | Kansas City, MO | Concert Poster
Goose | November 3–4, 2026 | Kansas City, MO | Concert Poster
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Capture the electric energy of Goose's two-night run in Kansas City with this stunning, unofficial fan-made art print! Commemorating the November 3-4, 2026 shows at The Midland Theatre, this poster is a must-have for any dedicated fan looking to celebrate the experience.
This is NOT official merchandise. It is a piece of fan art created with love for the music.
Our design plunges you into a surreal, maximalist vision of Kansas City, reimagined as a rock-and-roll monument. The iconic Liberty Memorial is transformed into a cartoonish, flame-topped totem, flanked by wide-eyed sphinxes and an altar of amplifiers. Below, a river of pink ooze flows past bridges and gears, filled with floating eyeballs and skulls, capturing the wild, improvisational spirit of a Goose set. The entire piece is rendered in a vibrant, hand-drawn style reminiscent of classic screen prints, with a warm palette of burnt orange, marigold, and chocolate brown.
Every inch is packed with detail, from tiny tour buses and shuttlecocks to the intricate patterns that fill the background, ensuring you'll discover something new with every look. It's the perfect statement piece for your music room, living room, or office.
**POSTER DETAILS:**
- **Size:** 18x24 inches (a standard, easy-to-frame size)
- **Paper:** Printed on high-quality, heavy matte poster stock for a premium, glare-free finish.
- **Style:** Features a rich, saturated six-color design with a distinct, hand-pulled screen print aesthetic.
**Please Note:** This is an unofficial piece of fan art. Frame is not included.
Note from the Artist:
When I set out to design this piece for the Goose run in Kansas City, I wanted to capture that giddy, unhinged energy you only feel at one of their shows. I imagined the city itself as a bizarre, musical shrine. I took the majestic Liberty Memorial and turned it into the centerpiece of this wild ceremony, giving its flame a goofy, sweating face. The whole city becomes part of the stage—the sphinxes, the amplifiers acting as an altar with speaker cone 'rose windows,' even the rivers turning into this magical, swirling ooze of creativity. It's my tribute to the band's ability to build a whole world on stage, a world that's both reverent and delightfully absurd.
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